Janelle DeStefano

Bio:
American mezzo-soprano, Janelle DeStefano, enjoys the entire gamut of classical singing, from opera and oratorio to recital and chamber music. Praised for her “passionate delivery” and “rich seamless voice,” she has rendered dramatic performances in such diverse concert works as the Monteverdi Vespers, Bach’s St. Matthew’s Passion, Handel’s Dixit Dominus, Mahler's Fourth Symphony, Respighi’s Laud to the Nativity, Zeisl’s Hebrew Requiem, Szymanowsky’s Stabat Mater and the U.S. premier of Peter Eötvös, Schiller: Energische Schoenheit. Of her performances in the Bach B minor Mass, Stage and Cinema called it “saving the best for last,” and raved that “DeStefano soared into the heavens during her performance of the Agnus Dei.”
Ms. DeStefano has been featured in concert with the Los Angeles Philharmonic; the Los Angeles Chamber Orchestra; Jacaranda Music at the Edge; El Mundo; Bach Collegium San Diego; the Los Angeles Master Chorale; and the Grammy Award Winning Los Angeles Guitar Quartet. Her operatic roles include Romeo in I Capuletti e i Montecchi; Dido in Dido and Aeneas; Lucretia in The Rape of Lucretia and the title role in Bizet’s Carmen.
Recordings include the spring 2018 Delos Label release of Mark Abel’s Time and Distance, Abel’s opera, Home is a Harbor, and The Dream Gallery: Seven California Portraits also on Delos; Bach B Minor Mass with the Bach Collegium San Diego; as well as recordings with the Grammy®-nominated Los Angeles Master Chorale, including Festival of Carols, Górecki: Miserere (Decca); and the Los Angeles Philharmonic’s 2014 recording of Adams: The Gospel According to the Other Mary (Deutsche Grammophon).
Ms. DeStefano graduated with honors from the University of Southern California’s Thornton School of Music, earning a Doctor of Musical Arts in Performance. A passionate teacher, she has taught voice for more than two decades at collegiate and community music schools including USC Thornton School of Music, UC Santa Cruz, the University of San Diego, and Grossmont College, as well as her own private voice studio. She is currently on the voice faculty at Santa Monica College and Chapman University.
American mezzo-soprano, Janelle DeStefano, enjoys the entire gamut of classical singing, from opera and oratorio to recital and chamber music. Praised for her “passionate delivery” and “rich seamless voice,” she has rendered dramatic performances in such diverse concert works as the Monteverdi Vespers, Bach’s St. Matthew’s Passion, Handel’s Dixit Dominus, Mahler's Fourth Symphony, Respighi’s Laud to the Nativity, Zeisl’s Hebrew Requiem, Szymanowsky’s Stabat Mater and the U.S. premier of Peter Eötvös, Schiller: Energische Schoenheit. Of her performances in the Bach B minor Mass, Stage and Cinema called it “saving the best for last,” and raved that “DeStefano soared into the heavens during her performance of the Agnus Dei.”
Ms. DeStefano has been featured in concert with the Los Angeles Philharmonic; the Los Angeles Chamber Orchestra; Jacaranda Music at the Edge; El Mundo; Bach Collegium San Diego; the Los Angeles Master Chorale; and the Grammy Award Winning Los Angeles Guitar Quartet. Her operatic roles include Romeo in I Capuletti e i Montecchi; Dido in Dido and Aeneas; Lucretia in The Rape of Lucretia and the title role in Bizet’s Carmen.
Recordings include the spring 2018 Delos Label release of Mark Abel’s Time and Distance, Abel’s opera, Home is a Harbor, and The Dream Gallery: Seven California Portraits also on Delos; Bach B Minor Mass with the Bach Collegium San Diego; as well as recordings with the Grammy®-nominated Los Angeles Master Chorale, including Festival of Carols, Górecki: Miserere (Decca); and the Los Angeles Philharmonic’s 2014 recording of Adams: The Gospel According to the Other Mary (Deutsche Grammophon).
Ms. DeStefano graduated with honors from the University of Southern California’s Thornton School of Music, earning a Doctor of Musical Arts in Performance. A passionate teacher, she has taught voice for more than two decades at collegiate and community music schools including USC Thornton School of Music, UC Santa Cruz, the University of San Diego, and Grossmont College, as well as her own private voice studio. She is currently on the voice faculty at Santa Monica College and Chapman University.
Concerts
Concert Details | Date |
---|---|
Handel: MessiahMezzo Soprano, Messiah |
Dec 20, 2015 |
Handel: MessiahAlto, 8. Behold, a virgin shall conceive |
Dec 20, 2015 |
Handel: MessiahAlto, 9. O Thou that tellest good tidings to Zion |
Dec 20, 2015 |
Handel: MessiahAlto, 19. Then shall the eyes of the blind be opened |
Dec 20, 2015 |
Handel: MessiahAlto, 20. He shall feed his flock |
Dec 20, 2015 |
Handel: MessiahAlto, 23. He was despised |
Dec 20, 2015 |
Handel: MessiahMezzo Soprano, Messiah |
Dec 6, 2015 |
Handel: MessiahAlto, 8. Behold, a virgin shall conceive |
Dec 6, 2015 |
Handel: MessiahAlto, 9. O Thou that tellest good tidings to Zion |
Dec 6, 2015 |
Handel: MessiahAlto, 19. Then shall the eyes of the blind be opened |
Dec 6, 2015 |
Handel: MessiahAlto, 20. He shall feed his flock |
Dec 6, 2015 |
Handel: MessiahAlto, 23. He was despised |
Dec 6, 2015 |
Bach: St. Matthew PassionMezzo Soprano, Matthäus-Passion (St. Matthew Passion) |
Feb 1, 2015 |
Bach: St. Matthew PassionMezzo Soprano, Matthäus-Passion (St. Matthew Passion) |
Jan 31, 2015 |
34th Annual Messiah Sing-AlongMezzo Soprano, Messiah |
Dec 7, 2014 |
34th Annual Messiah Sing-AlongAlto, 8. Behold, a virgin shall conceive |
Dec 7, 2014 |
34th Annual Messiah Sing-AlongAlto, 9. O Thou that tellest good tidings to Zion |
Dec 7, 2014 |
34th Annual Messiah Sing-AlongAlto, 19. Then shall the eyes of the blind be opened |
Dec 7, 2014 |
34th Annual Messiah Sing-AlongAlto, 20. He shall feed his flock |
Dec 7, 2014 |
34th Annual Messiah Sing-AlongAlto, 23. He was despised |
Dec 7, 2014 |
Bach B Minor MassMezzo Soprano, Mass in B minor, BMV 232 |
Jan 26, 2014 |
Bach B Minor MassAlto, Agnus Dei |
Jan 26, 2014 |
Bach B Minor MassMezzo Soprano, Mass in B minor, BMV 232 |
Jan 25, 2014 |
Bach B Minor MassAlto, Agnus Dei |
Jan 25, 2014 |
Rejoice! A Ceremony of CarolsMezzo Soprano |
Dec 8, 2013 |
Rejoice! A Ceremony of CarolsAlto, Lauda per la Natività del Signore |
Dec 8, 2013 |
Rejoice! Bach MagnificatMezzo Soprano |
Dec 16, 2012 |
Rejoice! Bach MagnificatAlto, Domine Deus, Agnus Dei |
Dec 16, 2012 |
Rejoice! Bach MagnificatAlto, Qui sedes ad dexteram Patris |
Dec 16, 2012 |
Monteverdi VespersMezzo Soprano, Vespro della Beata Vergine |
Nov 18, 2012 |
Organ ExtravaganzaMezzo Soprano |
Oct 21, 2012 |
Organ ExtravaganzaAlto, Ascending Into Heaven |
Oct 21, 2012 |
Bach: St. John PassionMezzo Soprano, St. John Passion |
Apr 1, 2012 |
Bach: St. John PassionMezzo Soprano, St. John Passion |
Mar 31, 2012 |
Handel: MessiahMezzo Soprano, Messiah |
Dec 18, 2011 |
Handel: MessiahAlto, 8. Behold, a virgin shall conceive |
Dec 18, 2011 |
Handel: MessiahAlto, 9. O Thou that tellest good tidings to Zion |
Dec 18, 2011 |
Handel: MessiahAlto, 19. Then shall the eyes of the blind |
Dec 18, 2011 |
Handel: MessiahAlto, 20. He shall feed his flock |
Dec 18, 2011 |
Handel: MessiahAlto, 23. He was despised |
Dec 18, 2011 |
Handel: MessiahAlto, 49. Then shall be brought to pass |
Dec 18, 2011 |
Handel: MessiahAlto, 50. O death, where is thy sting? |
Dec 18, 2011 |
30th Annual Messiah Sing-AlongMezzo Soprano, Messiah |
Dec 19, 2010 |
30th Annual Messiah Sing-AlongAlto, 8. Behold, a virgin shall conceive |
Dec 19, 2010 |
30th Annual Messiah Sing-AlongAlto, 9. O Thou that tellest good tidings to Zion |
Dec 19, 2010 |
30th Annual Messiah Sing-AlongAlto, 19. Then shall the eyes of the blind be opened |
Dec 19, 2010 |
30th Annual Messiah Sing-AlongAlto, 20. He shall feed his flock |
Dec 19, 2010 |
30th Annual Messiah Sing-AlongAlto, 23. He was despised |
Dec 19, 2010 |