Mozart 1791: Final Piano Concerto
Oct 8, 2017 - 2:00 PM
A fresh new work from prize-winning composer Andrew Norman takes its inspiration from Georges Méliès' 1902 silent film version of a Jules Verne classic, directed by Yuval Sharon.
ARTISTS
Los Angeles Philharmonic
Teddy Abrams, conductor
Yuval Sharon, director
Los Angeles Master Chorale
Grant Gershon, artistic director
Los Angeles Children's Chorus
Anne Tomlinson, artistic director
ARTISTS
Los Angeles Philharmonic
Teddy Abrams, conductor
Yuval Sharon, director
Los Angeles Master Chorale
Grant Gershon, artistic director
Los Angeles Children's Chorus
Anne Tomlinson, artistic director
| Title | Composers/Arranger | Guest Artists |
|---|---|---|
| Overture to La Clemenza di Tito | Wolfgang Amadeus Mozart | |
| Piano Concerto No. 27, K. 595 | Wolfgang Amadeus Mozart | Javier Perianes, Piano |
| "Parto, parto, ma tu, ben mio" from La clemenza di Tito | Wolfgang Amadeus Mozart | J'Nai Bridges, Mezzo Soprano |
| Laut verkünde unsre Freude, K. 623 | Wolfgang Amadeus Mozart | Paul Appleby, TenorShen Yang, Bass-Baritone |
| Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart |
A fresh new work from prize-winning composer Andrew Norman takes its inspiration from Georges Méliès' 1902 silent film version of a Jules Verne classic, directed by Yuval Sharon.
ARTISTS
Los Angeles Philharmonic
Teddy Abrams, conductor
Yuval Sharon, director
Los Angeles Master Chorale
Grant Gershon, artistic director
Los Angeles Children's Chorus
Anne Tomlinson, artistic director
| Title | Composers/Arranger | Guest Artists |
|---|---|---|
| Overture to La Clemenza di Tito | Wolfgang Amadeus Mozart | |
| Piano Concerto No. 27, K. 595 | Wolfgang Amadeus Mozart | Javier Perianes, Piano |
| "Parto, parto, ma tu, ben mio" from La clemenza di Tito | Wolfgang Amadeus Mozart | J'Nai Bridges, Mezzo Soprano |
| Laut verkünde unsre Freude, K. 623 | Wolfgang Amadeus Mozart | Paul Appleby, TenorShen Yang, Bass-Baritone |
| Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart |
